We have decided to use Ellie de Rohan as our leading female protagonist, as one of the "Three graces." this is because she has a young, pure and innocent look. We have also decided to use James Hartman as the "Artist", this is because we wanted to pick a teacher, as the character obviously needs maturity. We wanted to pick someone in their mid to late 30s, because they will appear energetic and athletic, and therefore more capable of inflicting violence. We wanted someone with a look which could be interpreted as severe, or menacing. Anyone with factual hair for example would make them seem a fluffy, softer character and it was important that our character appear clean cut and steely. If for some reason James is unable to take part in our thriller, we will probably ask George Hill to replace him, because he looks older and has the perfect artistic hands.
Wednesday, 28 November 2012
The casting of our thriller
We have decided to use Ellie de Rohan as our leading female protagonist, as one of the "Three graces." this is because she has a young, pure and innocent look. We have also decided to use James Hartman as the "Artist", this is because we wanted to pick a teacher, as the character obviously needs maturity. We wanted to pick someone in their mid to late 30s, because they will appear energetic and athletic, and therefore more capable of inflicting violence. We wanted someone with a look which could be interpreted as severe, or menacing. Anyone with factual hair for example would make them seem a fluffy, softer character and it was important that our character appear clean cut and steely. If for some reason James is unable to take part in our thriller, we will probably ask George Hill to replace him, because he looks older and has the perfect artistic hands.
Monday, 26 November 2012
Lilya 4-Ever
The trailer commences with a scene of a girl walking down a road, with desolate gray surroundings of a run down looking residential area. This indicates that the girl is the central protaonist in the film and the plotline will consist of her issolation or loneliss. The gray use of colours incidactes that she may be troubled or depressed, relating to a thriller genre. In th efollowing scene we see her praying, then she throws the picture on the floor. This indicates that her praying will not do her any good or hat she has lost her faith posibally due to a previous event, The pace of the trailer then increaces as more editing cuts are used. We then continue to see shots of her running down a street.
The trailer commences with a scene of a girl walking down a road, with desolate gray surroundings of a run down looking residential area. This indicates that the girl is the central protaonist in the film and the plotline will consist of her issolation or loneliss. The gray use of colours incidactes that she may be troubled or depressed, relating to a thriller genre. In th efollowing scene we see her praying, then she throws the picture on the floor. This indicates that her praying will not do her any good or hat she has lost her faith posibally due to a previous event, The pace of the trailer then increaces as more editing cuts are used. We then continue to see shots of her running down a street.
The Girl with the Dragon Tatoo
The Girl with the dragon tatoo trailer begins with blck ink being dispersed into water, the shapes created evolve into a dragon. This, alongsid the use of simple dark colours immediaitly creates an evil, depresing atmosphere, indicating that the film is in the thriller genre. The following scene is of somene riding a moterbike, in the dark on a road, and quick editing cuts are made. This indicates that the film will contain action sequences and will be fast paced, possibally containing someone on the run, whilst relating to the thriller genre. Later in the sequence we see the person on the moterbike take her helmet off, she seems like a troubled person, with black greacy hair and a large nose peircing. This makes her seem tough and caperble of anythig, this is confirmed due to the folowing scene of her lighting a match. A close up of the flame is shown, before a shot of a car being burnt. This indicates that the film may be about revenge andis posibally brutal and violent. This is confirmed due to the corresponding text wich states "A brutal Murder."
The Girl with the dragon tatoo trailer begins with blck ink being dispersed into water, the shapes created evolve into a dragon. This, alongsid the use of simple dark colours immediaitly creates an evil, depresing atmosphere, indicating that the film is in the thriller genre. The following scene is of somene riding a moterbike, in the dark on a road, and quick editing cuts are made. This indicates that the film will contain action sequences and will be fast paced, possibally containing someone on the run, whilst relating to the thriller genre. Later in the sequence we see the person on the moterbike take her helmet off, she seems like a troubled person, with black greacy hair and a large nose peircing. This makes her seem tough and caperble of anythig, this is confirmed due to the folowing scene of her lighting a match. A close up of the flame is shown, before a shot of a car being burnt. This indicates that the film may be about revenge andis posibally brutal and violent. This is confirmed due to the corresponding text wich states "A brutal Murder."
Sunday, 25 November 2012
Development of ideas for our thriller
In order to develop our ideas for our thriller, we decided
to look at the James Bond introduction sequences to give us inspiration of
possible creative ideas that we could use and apply to our plotline and genre.
We have also decided
to experiment with the use of vignetting round the edges of the screen as well
as smoke, as seen in the Dante inferno game introduction. This is so that a
dangerous unsafe atmosphere is created, giving the viewers a glimpse of what is
to come in the film. We will also experiment
with the use of negative space for our title sequence, for example in “The thing”
the title gradually appears through the use of light .We may try to incorporate
this idea, however with the use of smoke making up shapes using the negative space.
As our lead role is of an artist, and his paintings of the
girls are of large significance within the film, we are going to try to
experiment with the shapes and effects of paint and ink on the page and in
water. We will carry this out by dropping ink into a tray of water and filming
in slow motion in order to show the shapes and movement of the ink in the
water. For example showing in “Black in
and Water” YouTube clip. We will also try applying water on as page in a shape,
using petal water brushes which we will buy from amazons. Then we will drop ink
on the page which will follow the water and appear in a shape. We will take a
close up shot of the ink and slow it down into slow motion to show the movement
of the ink, as shown in “Water Ink.”
Thursday, 22 November 2012
TIME
|
TEXT WHICH APPEARS
|
WHAT THAT PERSON OR PERSONS ROLE (S) IS/ARE
|
00:04
|
New line cinema presents
|
The institution that made it
|
00:07
|
An Arnold Kopelson Production
|
Producer
|
00:11
|
A film by David Flincher
|
director
|
00:16
|
Brad Pitt
|
actor
|
00:19
|
Morgan Freeman
|
actor
|
00:22
|
Seven
|
title
|
00:30
|
Gwyneth Paltrow
|
actress
|
00:35
|
Richard Rowntree
|
actor
|
00:39
|
R.Lee Ermey
|
actor
|
00:42
|
John c. Mc Ginley
|
actor
|
00:49
|
Julie Arasknog
Mark Boone
|
Actors
|
00:52
|
Peter Crombie
John Cassini
|
actors
|
00:57
|
Hawthorne James
|
actor
|
1:12
|
Billy Hopkins
Suzanne smith
Kerry Borden
|
Casting
|
1:16
|
Howard Shore
|
Music
|
1:21
|
Micheal Kablan
|
Costume designed
|
1:25
|
Richard Francis Bruce
|
Edited by
|
1:28
|
Arthur Max
|
Production Designer
|
1:34
|
Darius Khondji
|
Director of photgraphy
|
1:39
|
Stephan Brown
Hannah Greenwald
|
Co-producers
|
1:44
|
Lynn Harris
Richards Superstein
|
Coexecutive producers
|
1:50
|
Anne Kaplesun
Dankols Rud
|
Executive Producers
|
1.54
|
Andrew kevin Walker
|
Written by
|
1:59
|
Arnold Kopleson
|
Producer
|
2:05
|
David Fincher
|
Dircetor
|
Tuesday, 20 November 2012
Plot
of Narrative Action of ‘Blood of Purity’
‘Blood
of Purity’ opens with a black screen with a voice over of a news report
declaring another girl has been taken and is warning the general public to be
careful. The darkness is broken by a
match strike, this then starts a sequence of quick cuts of eyes closed. This
match then lights a candle, these quick cuts of the girls eyes begin to open and
blink.
Bird’s eye view shot of art work; dark shadows. Again a quick cut sequence showing him drawing, cuts back and forth from him being there or not. Cuts of the paintbrushes/charcoal/pencils from different angles. Leads into painting sequence, two clips over laid and separated. Revert back to girl’s eyes. Crying and bloodshot- close up of eyes. As tears fall down/off face, we quick cut to blood/paint dripping into water pot. Close up of rippling water.Quick cut back to girl screaming, as this happens the water from the pot will feed into the water in the photography tray and there are photos being developed in the water.
The water pot is then dropped but the camera does not leave the close up of the water pot. This then quick cuts into smashing of the pot from different angles, slow and sped up.
Cuts back to his drawing/writing in the diary. We see pages being turned and layered shots of him drawing different pictures. Subtle over lay of blood dripping down paper.
Hammering nails into the faces of the pictures of the girls (just developed). Overlaying of blood steading dripping from nose. Quick cuts back to him slamming her head against wall.
Long shot of girl in corner of room. On the floor, shaking looking scared. After 3 seconds, overlaying shot of her screaming and banging on the wall (SAME CAMERA SHOT).
Bird’s eye view shot of art work; dark shadows. Again a quick cut sequence showing him drawing, cuts back and forth from him being there or not. Cuts of the paintbrushes/charcoal/pencils from different angles. Leads into painting sequence, two clips over laid and separated. Revert back to girl’s eyes. Crying and bloodshot- close up of eyes. As tears fall down/off face, we quick cut to blood/paint dripping into water pot. Close up of rippling water.Quick cut back to girl screaming, as this happens the water from the pot will feed into the water in the photography tray and there are photos being developed in the water.
The water pot is then dropped but the camera does not leave the close up of the water pot. This then quick cuts into smashing of the pot from different angles, slow and sped up.
Cuts back to his drawing/writing in the diary. We see pages being turned and layered shots of him drawing different pictures. Subtle over lay of blood dripping down paper.
Hammering nails into the faces of the pictures of the girls (just developed). Overlaying of blood steading dripping from nose. Quick cuts back to him slamming her head against wall.
Long shot of girl in corner of room. On the floor, shaking looking scared. After 3 seconds, overlaying shot of her screaming and banging on the wall (SAME CAMERA SHOT).
Burning from the back of the photo shot emerges. Quick cut series shot of it speeding up the burning. Shot of artist slicing through photograph. We see him slicing the white back of the photo, then reverts to the image and the scalpel head slicing down her body on the image.
Shot of scratch marks on back- reverse shots of him drawing the figures and the side of his face as she draws. Shots of him dripping paint down the drawings from the eyes.
The climax of shots consist of quick cuts man carving ‘Purity’ into her arm, this can all intertwine with shots of him drawing, her in the room, screaming, trying to escape.
Zoom in on the ‘Purity’. To end black screen, blood of purity title. Blood drips of like in Dawn of the dead.
Thursday, 15 November 2012
Friday, 9 November 2012
Summary of narrative
~Blood of Purity’ opens with a black screen with a voice
over of a news report declaring another girl has been taken and is warning the
general public to be careful.
~ The darkness is broken by a match strike, this then starts a sequence of quick cuts of eyes closed. ~This match then lights a candle, these quick cuts of the girls eyes begin to open and blink.
~Bird’s eye view shot of art work; dark shadows. Again a quick cut sequence showing him drawing, cuts back and forth from him being there or not.
~Cuts of the paintbrushes/charcoal/pencils from different angles.
~Leads into painting sequence, two clips over laid and separated.
~Revert back to girl’s eyes. Crying and bloodshot- close up of eyes. As tears fall down/off face, we quick cut to blood/paint dripping into water pot. Close up of rippling water.
~Quick cut back to girl screaming, as this happens the water from the pot will feed into the water in the photography tray and there are photos being developed in the water.
~The water pot is then dropped but the camera does not leave the close up of the water pot. This then quick cuts into smashing of the pot from different angles, slow and sped up.
~Cuts back to his drawing/writing in the diary. We see pages being turned and layered shots of him drawing different pictures.
~Subtle over lay of blood dripping down paper.
~Hammering nails into the faces of the pictures of the girls (just developed). Overlaying of blood steading dripping from nose. Quick cuts back to him slamming her head against wall.
~Long shot of girl in corner of room. On the floor, shaking looking scared. After 3 seconds, overlaying shot of her screaming and banging on the wall (SAME CAMERA SHOT).
~Burning from the back of the photo shot emerges. Quick cut series shot of it speeding up the burning. Shot of artist slicing through photograph. We see him slicing the white back of the photo, then reverts to the image and the scalpel head slicing down her body on the image.
~Shot of scratch marks on back- reverse shots of him drawing the figures and the side of his face as she draws.
~Shots of him dripping paint down the drawings from the eyes.
~CLIMAX OF SHOTS. Quick cuts man carving ‘Purity’ into her arm, this can all intertwine with shots of him drawing, her in the room, screaming, trying to escape.
~Zoom in on the ‘Purity’. ~Black screen, blood of purity title. Blood drips of like in Dawn of the dead.
~ The darkness is broken by a match strike, this then starts a sequence of quick cuts of eyes closed. ~This match then lights a candle, these quick cuts of the girls eyes begin to open and blink.
~Bird’s eye view shot of art work; dark shadows. Again a quick cut sequence showing him drawing, cuts back and forth from him being there or not.
~Cuts of the paintbrushes/charcoal/pencils from different angles.
~Leads into painting sequence, two clips over laid and separated.
~Revert back to girl’s eyes. Crying and bloodshot- close up of eyes. As tears fall down/off face, we quick cut to blood/paint dripping into water pot. Close up of rippling water.
~Quick cut back to girl screaming, as this happens the water from the pot will feed into the water in the photography tray and there are photos being developed in the water.
~The water pot is then dropped but the camera does not leave the close up of the water pot. This then quick cuts into smashing of the pot from different angles, slow and sped up.
~Cuts back to his drawing/writing in the diary. We see pages being turned and layered shots of him drawing different pictures.
~Subtle over lay of blood dripping down paper.
~Hammering nails into the faces of the pictures of the girls (just developed). Overlaying of blood steading dripping from nose. Quick cuts back to him slamming her head against wall.
~Long shot of girl in corner of room. On the floor, shaking looking scared. After 3 seconds, overlaying shot of her screaming and banging on the wall (SAME CAMERA SHOT).
~Burning from the back of the photo shot emerges. Quick cut series shot of it speeding up the burning. Shot of artist slicing through photograph. We see him slicing the white back of the photo, then reverts to the image and the scalpel head slicing down her body on the image.
~Shot of scratch marks on back- reverse shots of him drawing the figures and the side of his face as she draws.
~Shots of him dripping paint down the drawings from the eyes.
~CLIMAX OF SHOTS. Quick cuts man carving ‘Purity’ into her arm, this can all intertwine with shots of him drawing, her in the room, screaming, trying to escape.
~Zoom in on the ‘Purity’. ~Black screen, blood of purity title. Blood drips of like in Dawn of the dead.
Thursday, 1 November 2012
How I will use Kyle Coopers methods in my own work
Having learned about the methods Kyle cooper uses in his title sequences, I will try to incorporate some of these methods into my own work. For example. I plan to take inspiration from Coopers "Se7en" sequence when he takes close up, quick editing montage shots of someone's hand, I will adapt this style towards the mad painter character in my pollen, by possibly showing close up shots of a paint brush, or slow the slow motion of paint dripping down the page. We also plan to film the artist in a dark, candle lit room in order to produce large shadows. We may also use methods shown in sparred man where he takes a key concept ( the spider web) and uses it as a border line for the text. We may adapt this style, and apply it to the smoke coming from the candle.
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